These alternative articulations can be disabled, in which case the sustained articulation plays an additional double-forte sustained layer at the highest velocities. When held a fraction longer and released just before the crescendo begins, it provides a natural-sounding timbral decay for non-marcato short notes.Ī number of alternative highest-velocity articulations are selectable from a drop-down menu, with a choice of rips (flurried slurs up to a sustained note) grace notes (short, semitone upward slurs) shakes (energetic, jazz hand trills) staccatissimo (very short stabs) marcato (emphatic notes of around one beat in length) and FoPiCre Time, a variation of FoPiCre that syncs the sample length to the host DAWs tempo. This can also be effective for playing very short, accented notes. This has four velocity-switched dynamic layers, the highest layer being a fortepianocrescendo articulation, FoPiCre, a strongly accented note that subsides very quickly and swells back to a zippy crescendo. Section Setup, velocity switched articulation, Voicing Assistant modes and Octave Drop options are all selected from here. The majority of performance options are found on the Main screen tab, so well begin our tour here. To this end, SH features a number of playing modes and arrangement tools for achieving this in a live performance. Its up to the user to select which instruments will sound, and how the notes played are distributed amongst them. The Performance patch is the most memory intensive, with all articulations for all four instruments loaded into this single patch. Most of the high-frequency zip comes from the trumpets and trombone, while the tenor sax provides an element of warmth.Īs youd expect from NI, the 44.1kHz, 24-bit samples are very clean and well recorded. The overall tone is bright and zippy, suggesting close miking with an AKG 414 or something similar, although the mics used are not listed. Its a 4.88GB library based around a four-piece brass section comprising a trombone, a tenor saxophone and two trumpets, the sort of line-up typically used in soul, funk, reggae, Latin and many other modern pop styles.
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